Thursday, August 22, 2019

Incorruptible

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Peter Watts receiving the 2010 Hugo

Incorruptible
by Peter Watts
Creative Commons BY-NC-SA
Read more Peter Watts here

“Despotism may be the only organisational alternative
to the political structure that we observe.”
—James Buchanan, 1975

This is the moment Malika Rydman first realizes that something is seriously out of whack: when the airport cop doesn’t threaten her.

It wasn’t that flickering sense of discontinuity over the Pacific. It wasn’t the odd absence of flight attendants during descent, or the unprecedented fact that she could watch the whole pulse-pounding climax of My Dinner With Andre without some canned voice breaking in to remind her about seat tables and chairs in upright positions. It wasn’t even the strangeness glimpsed through the window on final approach: that conga-line of headlights down on the ground, the way those tiny cars formed little trains that braided and intertwined without ever colliding. That skyscraper off to the east, facades seething in dark glittery motion as though being devoured by a carpet of beetles. The very street lights, tiny bright interstices of the SanFran wireframe: somehow both whiter and brighter than a week ago. Different approach angle, Malika thought vaguely. Trick of the light. Street art installation.

Even when ANA008 bumped onto the ground and dragged itself to a halt and just sat there at the end of the runway, Malika shrugged it off. Probably some other plane hogging the gate. You’d think there’d be an announcement.

It’s not until the man in the strange uniform appears at her side and leans just so, letting the flap of his jacket fall away to reveal the gun on his hip; not until he says “Dr. Malika Rydman? Would you come with me, please?”—that she is truly taken aback.

There’s no implied threat in his voice. He doesn’t seem to be itching for an excuse to escalate (not that Malika would ever be stupid enough to give him one— then again, sometimes they just make shit up after the fact). The words don’t even carry the tone of a command exactly, more like a— a request.

“It’s very important,” he adds.

He seems nervous. Maybe even a little frightened.

“What’s this about? Am I in some kind of trouble?”

“It’s nothing like that.” The airport cop— whatever he is— shakes his head. “There’s a, a patient in need of assistance.”

Ah. Someone must have noticed the MD next to her name, jumped to conclusions. “I don’t practice. I’m a computational psychiatrist, I’ve been pure research since 2012.” Curiosity gets the better of her anyway. “What sort of patient?”

“I honestly don’t know any more than that, Dr. Rydman. Please.”

She looks around the cabin— all eyes studiously downcast, all voices stilled— and unbuckles her seat belt. “You’re being awfully deferential for a white boy with a gun,” she grumbles. “Did the Resistance finally pay off?”

He swallows. “Which one?”

[Read more…]

Sunday, August 18, 2019

Yon Rogar’s Hat

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Illustration from The Violet Fairy Book, public domain

Yon Rogar’s Hat
by Larry Heyl

It was late afternoon and Yon Rogar eyed his woodpile. There was no way that tiny little bit of wood was going to get him through fair day, tomorrow. The woodcutter was late with his delivery, probably carving on one of those statues of his. Yon decided to go after some wood himself. He threw his ax in his barrow and pushed it across the bridge to the Wilken Woods.

As usual it was slim pickings with very little deadwood on the ground. Yon picked up a few pieces and then pushed his barrow deeper into the woods. This was more like it, he picked up a few more pieces and then eyed a dead branch, about to fall off an old oak tree. That one branch would fill his barrow, he thought, so he reached up and gave it a tug. It was still well stuck to the tree and Yon couldn’t pull it loose. So he reached up with his ax and gave it a good chop. That did it. The branch fell at his feet.

It was then that he heard the moaning, deeper than a person or an animal would make and more substantial than the wind. He looked around but he didn’t see anything moaning. The wind was picking up, blowing through the leaves with a whooshing sound and the moaning was getting louder. The branches started to thrash about but not like they should in a wind. They were like the arms of a giant, moving with purpose.

One of the branches knocked the ax out of his hand. One slapped at his face and when he ducked it took his hat off. Yon was frightened. He threw the ax and the dead limb into his barrow and he ran for the bridge, leaving his hat behind.

The branch didn’t really fit in the barrow and everywhere it hung out it was getting caught on scrub and bushes. Yon just bulled through never even slowing down until he was out of Wilken’s Woods.

He threw the dead limb on the ground and made short work of it with the ax cutting it into pieces small enough to fit in the barrow. He worked up a sweat and wiped his brow noticing his hat was missing. “I’ll go after it later.” he thought as he loaded the wood into the barrow and pushed it across the bridge.

After he had stacked the wood he was still hot so he went to the Inn for a pint. “I’ll have a story to tell tonight, that’s for sure.” he thought.

He never did go back after his hat.

Epilogue

About a month later Yon Rogar was at the woodcutter’s cabin bringing payment for some wood left at his forge and making another order. After they were done with business Yon looked around and right there, on one of those ax hewn wood statues, was his hat, sitting on that wood head just like it belonged there.

Thinking the woodcutter had found his hat in the woods Jon said, “That fellow there is wearing my hat.”

The woodcutter said, “Well, it was your hat, but I see you’ve got another one now.”

“Still, I liked that hat better. I think I’ll just take it home and clean it up.”

“Best not,” said the woodcutter, “You lost your hat to the woods and it’s yours no more. Ain’t no use in stirring up trouble or that fellow with your hat might come a visiting, looking for it.”

So Yon thought better of retrieving the hat and on the walk home he near convinced himself that he liked the new hat better. It did leave him wondering though, how the woodcutter knew he had lost his hat in a fight with the woods.

“Yon Rogar’s Hat” by Larry Heyl is licensed CC BY. There is more about Milyagon including Mini Zine Quests at minizines.cc.

Sunday, August 4, 2019

SNEGOROTCHKA by Edmund Dulac

SNEGOROTCHKA
by Edmund Dulac

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A RUSSIAN FAIRY TALE

The old wife sang merrily as she sat in the inglenook stirring the soup, for she had never felt so sad. Many, many years had come and gone, leaving the weight of their winters on her shoulders and the touch of snow on her hair without ever bringing her a little child. This made her and her dear old husband very sad, for there were many children outside, playing in the snow. It seemed hard that not even one among them was their very own. But alas! there was no hope for such a blessing now. Never would they see a little fur cap hanging on the corner of the mantelpiece, nor two little shoes drying by the fire.

The old husband brought in a bundle of wood and set it down. Then, as he heard the children laughing and clapping their hands outside, he looked out at the window. There they were, dancing with glee round a snow man they had made. He smiled as he saw that it was evidently meant to look like the Mayor of the village, it was so fat and pompous.

‘Look, Marushal’ he cried to the old wile. ‘Come and see the snow man they’ve made.’

As they stood together at the window, they laughed to see what fun the children got out of it. Suddenly the old man turned to her with a bright idea.

‘Let’s go out and see if we can’t make a little snow man.’

But Marusha laughed at him. ‘What would the neighbours say? They would poke fun at us; it’d be the joke of the village. Besides, we’re too old to play like children.’

‘But only a little one, Marusha; only a teeny-weeny little snow man, and I’11 manage it that nobody sees us.”

‘Well, well,’ she said, laughing; ‘have your own way, as you always did, Youshko.’

With this she took the pot from the fire, put on her bonnet, and they went out together. As they passed the children, they stopped to play with them a while, for they now felt almost like children themselves. Then they trudged on through the snow till they came to a clump of trees, and, behind this, where the snow was nice and white, and nobody could see them, they set to work to make their little man.

The old husband insisted that it must be very small, and the old wife agreed that it should be almost as small as a new-born babe. Kneeling down in the snow, they fashioned the little body in next to no time. Now there remained only the head to finish. Two fat handfuls of snow for the cheeks and face, and a big one on top for the head. Then they put on a wee dab for the nose and poked two holes, one on each side, for the eyes.

It was soon done, and they were already standing back looking at it, and laughing and clapping their hands like children. Then suddenly they stopped. What had happened? A very strange thing indeed. Out of the two holes they saw looking at them two wistful blue eyes. Then the face of the little snow man was no longer white. The cheeks became rounded and smooth and radiant, and two rosy lips began to smile up at them. A breath of wind brushed the snow from the head, and it all fell down round the shoulders in flaxen ringlets escaping from a white fur cap. At the same time some snow, loosened from the little body, fell down and took the shape of a pretty white garment. Then, suddenly, before they could open and shut their mouths, their snow mannikin was gone, and in his place stood the daintiest, prettiest little maiden they had ever seen.

They gave each other a look out of the corners of their eyes, and scratched their heads in wonderment. But it was as true as true. There stood the little girl, all pink and white before them. She was really alive, for she ran to them; and, when they stooped down to lift her up, she put one arm round the old wife’s neck and the other round the old man’s, and gave them each a hug and a kiss. They laughed and cried for joy; then, suddenly remembering how real some dreams can seem, they pinched each other in turn. Still they were not sure, for the pinches might have been a part of the dream. So, in fear lest they might wake and spoil the whole thing, they wrapped the little girl up quickly and hastened back home.

On the way they met the children, still playing round their snow man; and the snowballs with which they pelted them in the back were very real; but there again, the snowballs might have belonged to the dream. But when they were inside the house, and saw the inglenook, with the soup in the pot by the fire and the bundle of wood near by, and everything just as they had left it, they looked at each other with tears in their eyes and no longer feared that it was all a dream. In another minute there was a little white fur cap hanging on the corner of the mantelpiece and two little shoes drying by the fire, while the old wife took the little girl on her lap and crooned a lullaby over her.

The old man put his hand on his wife’s shoulder and she looked up.

‘Marusha’

‘Youshko’

‘At last we have a little girl! We made her out of the snow, so we will call her Snegorotchka.’

The old wife nodded her head, and then they kissed each other. When they had all had supper, they went to bed, the old husband and wife feeling sure that they would wake early in the morning to find the child still with them. And they were not disappointed. There she was, sitting up between them, prattling and laughing. But she had grown bigger, and her hair was now twice as long as at first. When she called them ‘Little Father’ and ‘Little Mother’ they were so delighted that they felt like dancing as nimbly as they had in their young days. But, instead of dancing, they just kissed each other, and wept for joy.

That day they held a big feast. The old wife was busy all the morning cooking all kinds of dainties, while the old man went round the village and collected the fiddlers. All the boys and girls of the village were invited, and they ate and sang and danced and had a merry time till daybreak. As they went home, the girls all talked at once about how much they had enjoyed themselves, but the boys were very silent ; they were thinking of the beautiful Snegorotchka with the blue eyes and the golden hair.

Every day after that Snegorotchka played with the other children, and taught them how to make castles and palaces of snow, with marble halls and thrones and beautiful fountains. The snow seemed to let her do whatever she liked with it, and to build itself up under her tiny fingers as if it knew exactly what shape it was to take. They were all greatly delighted with the wonderful things she made; but when she showed them how to dance as the snowflakes do, first in a brisk whirl, and then softly and lightly, they could think of nothing else but Snegorotchka. She was the little fairy queen of the children, the delight of the older people, and the very breath of life to old Marusha and Youshko.

And now the winter months moved on. With slow and steady stride they went from mountain top to mountain top, around the circle of the sky-line. The earth began to clothe itself in green. The great trees, holding out their naked arms like huge babies waiting to be dressed, were getting greener and greener, and last year’s birds sat in their branches singing this year’s songs. The early flowers shed their perfume on the breeze, and now and then a waft of warm air, straying from its summer haunts, caressed the cheek and breathed a glowing promise in the ear. The forests and the fields were stirring. A beautiful spirit brooded over the face of nature; spring was trembling on the leash and tugging to be free.

One afternoon Marusha was sitting in the inglenook stirring the soup and singing a mournful song, because she had never felt so full of joy. The old man Youshko had just brought in a bundle of wood and laid it on the hearth. It seemed just the same as on that winter’s afternoon when they saw the children dancing round their snow man; but what made all the difference was Snegorotchka, the apple of their eye, who now sat by the window, gazing out at the green grass and the budding trees.

Youshko had been looking at her; he had noticed that her face was pale and her eyes a shade less blue than usual. He grew anxious about her.

‘Are you not feeling well, Snegorotchka?’ he asked.

‘No, Little Father,’ she replied sadly. ‘I miss the white snow, oh! so much; the green grass is not half as beautiful. I wish the snow would come again.’

‘Oh! yes; the snow will come again,’ replied the old man. ‘But don’t you like the leaves on the trees and the blossoms and the flowers, my darling?’

‘They are not so beautiful as the pure, white snow.’ And Snegorotchka shuddered.

The next day she looked so pale and sad that they were alarmed, and glanced at one another anxiously.

‘What ails the child?’ said Marusha.

Youshko shook his head and looked from Snegorotchka to the fire, and then back again.

‘My child,’ he said at last, ‘why don’t you go out and play with the others? They are all enjoying themselves among the flowers in the forest; but I’ve noticed you never play with them now. Why is it, my darling?’

‘I don’t know, Little Father, but my heart seems to turn to water when the soft warm wind brings the scent of the blossoms.’

‘But we will come with you, my child,’ said the old man.’ I will put my arm about you and shield you from the wind. Come, we will show you all the pretty flowers in the grass, and tell you their names, and you will just love them, all of them.’

So Marusha took the pot off the fire and then they all went out together, Youshko with his arm round Snegorotchka to shield her from the wind. But they had not gone far when the warm perfume of the flowers was wafted to them on the breeze, and the child trembled like a leaf. They both comforted her and kissed her, and then they went on towards the spot where the flowers grew thickly in the grass. But, as they passed a clump of big trees, a bright ray of sunlight struck through like a dart and Snegorotchka put her hand over her eyes and gave a cry of pain.

They stood still and looked at her. For a moment, as she drooped upon the old man’s arm, her eyes met theirs; and on her upturned face were swiftly running tears which sparkled in the sunlight as they fell. Then, as they watched her, she grew smaller and smaller, until, at last, all that was left of Snegorotchka was a little patch of dew shining on the grass. One tear-drop had fallen into the cup of a flower. Youshko gathered that flower very gently and handed it to Marusha without a word.

They both understood now. Their darling was just a little girl made of snow, and she had melted away in the warmth of the sunlight.

Published in 1916 this story from “Edmund Dulac’s Fairy Book” is public domain.

https://archive.org/ … dulacsfair00dularich