SFF Short Stories

Illustrated by STONE

Experiment
By FREDRIC BROWN

“The first time machine, gentlemen,” Professor Johnson proudly informed
his two colleagues. “True, it is a small-scale experimental model. It
will operate only on objects weighing less than three pounds, five
ounces and for distances into the past and future of twelve minutes or
less. But it works.”

The small-scale model looked like a small scale–a postage scale–except
for two dials in the part under the platform.

Professor Johnson held up a small metal cube. “Our experimental object,”
he said, “is a brass cube weighing one pound, two point three ounces.
First, I shall send it five minutes into the future.”

He leaned forward and set one of the dials on the time machine. “Look at
your watches,” he said.

They looked at their watches. Professor Johnson placed the cube gently
on the machine’s platform. It vanished.

Five minutes later, to the second, it reappeared.

Professor Johnson picked it up. “Now five minutes into the past.” He set
the other dial. Holding the cube in his hand he looked at his watch. “It
is six minutes before three o’clock. I shall now activate the
mechanism–by placing the cube on the platform–at exactly three
o’clock. Therefore, the cube should, at five minutes before three,
vanish from my hand and appear on the platform, five minutes before I
place it there.”

“How can you place it there, then?” asked one of his colleagues.

“It will, as my hand approaches, vanish from the platform and appear in
my hand to be placed there. Three o’clock. Notice, please.”

The cube vanished from his hand.

It appeared on the platform of the time machine.

“See? Five minutes before I shall place it there, it _is_ there!”

His other colleague frowned at the cube. “But,” he said, “what if, now
that it has already appeared five minutes before you place it there, you
should change your mind about doing so and _not_ place it there at three
o’clock? Wouldn’t there be a paradox of some sort involved?”

“An interesting idea,” Professor Johnson said. “I had not thought of it,
and it will be interesting to try. Very well, I shall _not_ …”

There was no paradox at all. The cube remained.

But the entire rest of the Universe, professors and all, vanished.

—

Included in “Two Timer”, public domain. Available on Project Gutenberg.

Dark Dungeons Cover Art

These are both retro clones made possible by the Wizards of The Coast Open Game License. So both games play like an older version of D&D. The Dark Dungeons version is a close copy rulewise. Darker Dungeons retains the same feel and probabilities with a streamlined rule set.

Here’s a quote from the Darker Dungeons pdf.

Darker Dungeons uses several terms and names that are Copyright 2000-2003 Wizards of the Coast, Inc.

These terms are used under the terms of the Open Game License v1.0a, and are designated as Open Content by that license. Other than those terms and names, all original text in Darker Dungeons is hereby placed in the Public Domain.

All artwork found in Darker Dungeons is copyright by the original artists, and may not be reproduced.

Downloads

Dark Dungeons

Darker Dungeons

Personally I’m interested in Darker Dungeons. Looks very similar to the RPGs I learned on but with better dice rolls and fewer tables. I’ve been wanting to find a rule set I can use to DM some games and I think this is it.

Skeleton pic courtesy of kalhh at pixabay - public domain

Crossposted at MixRemix.cc

Weird Tales cover art is public domain. Available on Wikimedia Commons.

The Hashish Eater -or- the Apocalypse of Evil
Clark Ashton Smith

Bow down: I am the emperor of dreams;
I crown me with the million-colored sun
Of secret worlds incredible, and take
Their trailing skies for vestment when I soar,
Throned on the mounting zenith, and illume
The spaceward-flown horizons infinite.
Like rampant monsters roaring for their glut,
The fiery-crested oceans rise and rise,
By jealous moons maleficently urged
To follow me for ever; mountains horned
With peaks of sharpest adamant, and mawed
With sulphur-lit volcanoes lava-langued,
Usurp the skies with thunder, but in vain;
And continents of serpent-shapen trees,
With slimy trunks that lengthen league by league,
Pursue my light through ages spurned to fire
By that supreme ascendance; sorcerers,
And evil kings, predominanthly armed
With scrolls of fulvous dragon-skin whereon
Are worm-like runes of ever-twisting flame,
Would stay me; and the sirens of the stars,
With foam-like songs from silver fragrance wrought,
Would lure me to their crystal reefs; and moons
Where viper-eyed, senescent devils dwell,
With antic gnomes abominably wise,
Heave up their icy horns across my way.
But naught deters me from the goal ordained
By suns and eons and immortal wars,
And sung by moons and motes; the goal whose name
Is all the secret of forgotten glyphs
By sinful gods in torrid rubies writ
For ending of a brazen book; the goal
Whereat my soaring ecstasy may stand
In amplest heavens multiplied to hold
My hordes of thunder-vested avatars,
And Promethèan armies of my thought,
That brandish claspèd levins. There I call
My memories, intolerably clad
In light the peaks of paradise may wear,
And lead the Armageddon of my dreams
Whose instant shout of triumph is become
Immensity’s own music: for their feet
Are founded on innumerable worlds,
Remote in alien epochs, and their arms
Upraised, are columns potent to exalt
With ease ineffable the countless thrones
Of all the gods that are or gods to be,
And bear the seats of Asmodai and Set
Above the seventh paradise.

Supreme
In culminant omniscience manifold,
And served by senses multitudinous,
Far-posted on the shifting walls of time,
With eyes that roam the star-unwinnowed fields
Of utter night and chaos, I convoke
The Babel of their visions, and attend
At once their myriad witness. I behold
In Ombos, where the fallen Titans dwell,
With mountain-builded walls, and gulfs for moat,
The secret cleft that cunning dwarves have dug
Beneath an alp-like buttress; and I list,
Too late, the clam of adamantine gongs
Dinned by their drowsy guardians, whose feet
Have fell the wasp-like sting of little knives
Embrued With slobber of the basilisk
Or the pail Juice of wounded upas. In
Some red Antarean garden-world, I see
The sacred flower with lips of purple flesh,
And silver-Lashed, vermilion-lidded eyes
Of torpid azure; whom his furtive priests
At moonless eve in terror seek to slay
With bubbling grails of sacrificial blood
That hide a hueless poison. And I read
Upon the tongue of a forgotten sphinx,
The annulling word a spiteful demon wrote
In gall of slain chimeras; and I know
What pentacles the lunar wizards use,
That once allured the gulf-returning roc,
With ten great wings of furlèd storm, to pause
Midmost an alabaster mount; and there,
With boulder-weighted webs of dragons’ gut
Uplift by cranes a captive giant built,
They wound the monstrous, moonquake-throbbing bird,
And plucked from off his saber-taloned feet
Uranian sapphires fast in frozen blood,
And amethysts from Mars. I lean to read
With slant-lipped mages, in an evil star,
The monstrous archives of a war that ran
Through wasted eons, and the prophecy
Of wars renewed, which shall commemorate
Some enmity of wivern-headed kings
Even to the brink of time. I know the blooms
Of bluish fungus, freaked with mercury,
That bloat within the creators of the moon,
And in one still, selenic and fetor; and I know
What clammy blossoms, blanched and cavern-grown,
Are proffered to their gods in Uranus
By mole-eyed peoples; and the livid seed
Of some black fruit a king in Saturn ate,
Which, cast upon his tinkling palace-floor,
Took root between the burnished flags, and now
Hath mounted and become a hellish tree,
Whose lithe and hairy branches, lined with mouths,
Net like a hundred ropes his lurching throne,
And strain at starting pillars. I behold
The slowly-thronging corals that usurp
Some harbour of a million-masted sea,
And sun them on the league-long wharves of gold—
Bulks of enormous crimson, kraken-limbed
And kraken-headed, lifting up as crowns
The octiremes of perished emperors,
And galleys fraught with royal gems, that sailed
From a sea-fled haven.

Swifter and stranger grow
The visions: now a mighty city looms,
Hewn from a hill of purest cinnabar
To domes and turrets like a sunrise thronged
With tier on tier of captive moons, half-drowned
In shifting erubescence. But whose hands
Were sculptors of its doors, and columns wrought
To semblance of prodigious blooms of old,
No eremite hath lingered there to say,
And no man comes to learn: for long ago
A prophet came, warning its timid king
Against the plague of lichens that had crept
Across subverted empires, and the sand
Of wastes that cyclopean mountains ward;
Which, slow and ineluctable, would come
To take his fiery bastions and his fanes,
And quench his domes with greenish tetter. Now
I see a host of naked gents, armed
With horns of behemoth and unicorn,
Who wander, blinded by the clinging spells
O hostile wizardry, and stagger on
To forests where the very leaves have eyes,
And ebonies like wrathful dragons roar
To teaks a-chuckle in the loathly gloom;
Where coiled lianas lean, with serried fangs,
From writhing palms with swollen boles that moan;
Where leeches of a scarlet moss have sucked
The eyes of some dead monster, and have crawled
To bask upon his azure-spotted spine;
Where hydra-throated blossoms hiss and sing,
Or yawn with mouths that drip a sluggish dew
Whose touch is death and slow corrosion. Then
I watch a war of pygmies, met by night,
With pitter of their drums of parrot’s hide,
On plains with no horizon, where a god
Might lose his way for centuries; and there,
In wreathèd light and fulgors all convolved,
A rout of green, enormous moons ascend,
With rays that like a shivering venom run
On inch-long swords of lizard-fang.

Surveyed
From this my throne, as from a central sun,
The pageantries of worlds and cycles pass;
Forgotten splendors, dream by dream, unfold
Like tapestry, and vanish; violet suns,
Or suns of changeful iridescence, bring
Their rays about me like the colored lights
Imploring priests might lift to glorify
The face of some averted god; the songs
Of mystic poets in a purple world
Ascend to me in music that is made
From unconceivèd perfumes and the pulse
Of love ineffable; the lute-players
Whose lutes are strung with gold of the utmost moon,
Call forth delicious languors, never known
Save to their golden kings; the sorcerers
Of hooded stars inscrutable to God,
Surrender me their demon-wrested scrolls,
lnscribed with lore of monstrous alchemies
And awful transformations.

If I will
I am at once the vision and the seer,
And mingle with my ever-streaming pomps,
And still abide their suzerain: I am
The neophyte who serves a nameless god,
Within whose fane the fanes of Hecatompylos
Were arks the Titan worshippers might bear,
Or flags to pave the threshold; or I am
The god himself, who calls the fleeing clouds
Into the nave where suns might congregate
And veils the darkling mountain of his face
With fold on solemn fold; for whom the priests
Amass their monthly hecatomb of gems
Opals that are a camel-cumbering load,
And monstrous alabraundines, won from war
With realms of hostile serpents; which arise,
Combustible, in vapors many-hued
And myrrh-excelling perfumes. It is I,
The king, who holds with scepter-dropping hand
The helm of some great barge of orichalchum,
Sailing upon an amethystine sea
To isles of timeless summer: for the snows
Of Hyperborean winter, and their winds,
Sleep in his jewel-builded capital,
Nor any charm of flame-wrought wizardry,
Nor conjured suns may rout them; so he fees,
With captive kings to urge his serried oars,
Hopeful of dales where amaranthine dawn
Hath never left the faintly sighing lote
And lisping moly. Firm of heart, I fare
Impanoplied with azure diamond,
As hero of a quest Achernar lights,
To deserts filled with ever-wandering flames
That feed upon the sullen marl, and soar
To wrap the slopes of mountains, and to leap
With tongues intolerably lengthening
That lick the blenchèd heavens. But there lives
(Secure as in a garden walled from wind)
A lonely flower by a placid well,
Midmost the flaring tumult of the flames,
That roar as roars a storm-possessed sea,
Impacable for ever; and within
That simple grail the blossom lifts, there lies
One drop of an incomparable dew
Which heals the parchèd weariness of kings,
And cures the wound of wisdom. I am page
To an emperor who reigns ten thousand years,
And through his labyrinthine palace-rooms,
Through courts and colonnades and balconies
Wherein immensity itself is mazed,
I seek the golden gorget he hath lost,
On which, in sapphires fine as orris-seed,
Are writ the names of his conniving stars
And friendly planets. Roaming thus, I hear
Like demon tears incessant, through dark ages,
The drip of sullen clepsydrae; and once
In every lustrum, hear the brazen clocks
Innumerably clang with such a sound
As brazen hammers make, by devils dinned
On tombs of all the dead; and nevermore
I find the gorget, but at length I find
A sealèd room whose nameless prisoner
Moans with a nameless torture, and would turn
To hell’s red rack as to a lilied couch
From that whereon they stretched him; and I find,
Prostrate upon a lotus-painted floor,
The loveliest of all beloved slaves
My emperor hath, and from her pulseless side
A serpent rises, whiter than the root
Of some venefic bloom in darkness grown,
And gazes up with green-lit eyes that seem
Like drops of cold, congealing poison.

Hark!
What word was whispered in a tongue unknown,
In crypts of some impenetrable world?
Whose is the dark, dethroning secrecy
I cannot share, though I am king of suns,
And king therewith of strong eternity,
Whose gnomons with their swords of shadow guard
My gates, and slay the intruder? Silence loads
The wind of ether, and the worlds are still
To hear the word that flees mine audience.
In simultaneous ruin, al my dreams
Fall like a rack of fuming vapors raised
To semblance by a necromant, and leave
Spirit and sense unthinkably alone
Above a universe of shrouded stars
And suns that wander, cowled with sullen gloom,
Like witches to a Sabbath. . . . Fear is born
In crypts below the nadir, and hath crawled
Reaching the floor of space, and waits for wings
To lift it upward like a hellish worm
Fain for the flesh of cherubim. Red orbs
And eyes that gleam remotely as the stars,
But are not eyes of suns or galaxies,
Gather and throng to the base of darkness; flame
Behind some black, abysmal curtain burns,
Implacable, and fanned to whitest wrath
By raisèd wings that flail the whiffled gloom,
And make a brief and broken wind that moans
As one who rides a throbbing rack. There is
A Thing that crouches, worlds and years remote,
Whose horns a demon sharpens, rasping forth
A note to shatter the donjon-keeps of time,
Or crack the sphere of crystal. All is dark
For ages, and my toiling heart-suspends
Its clamor as within the clutch of death
Tightening with tense, hermetic rigors. Then,
In one enormous, million-flashing flame,
The stars unveil, the suns remove their cowls,
And beam to their responding planets; time
Is mine once more, and armies of its dreams
Rally to that insuperable throne
Firmed on the zenith.

Once again I seek
The meads of shining moly I had found
In some anterior vision, by a stream
No cloud hath ever tarnished; where the sun,
A gold Narcissus, loiters evermore
Above his golden image. But I find
A corpse the ebbing water will not keep,
With eyes like sapphires that have lain in hell|
And felt the hissing coals; and all the flowers
About me turn to hooded serpents, swayed
By flutes of devils in lascivious dance
Meet for the nod of Satan, when he reigns
Above the raging Sabbath, and is wooed
By sarabands of witches. But I turn
To mountains guarding with their horns of snow
The source of that befoulèd rill, and seek
A pinnacle where none but eagles climb,
And they with failing pennons. But in vain
I flee, for on that pylon of the sky
Some curse hath turned the unprinted snow to flame—
Red fires that curl and cluster to my tread,
Trying the summit’s narrow cirque. And now
I see a silver python far beneath-
Vast as a river that a fiend hath witched
And forced to flow reverted in its course
To mountains whence it issued. Rapidly
It winds from slope to crumbling slope, and fills
Ravines and chasmal gorges, till the crags
Totter with coil on coil incumbent. Soon
It hath entwined the pinnacle I keep,
And gapes with a fanged, unfathomable maw
Wherein Great Typhon and Enceladus
Were orts of daily glut. But I am gone,
For at my call a hippogriff hath come,
And firm between his thunder-beating wings
I mount the sheer cerulean walls of noon
And see the earth, a spurnèd pebble, fall—
Lost in the fields of nether stars—and seek
A planet where the outwearied wings of time
Might pause and furl for respite, or the plumes
Of death be stayed, and loiter in reprieve
Above some deathless lily: for therein
Beauty hath found an avatar of flowers-
Blossoms that clothe it as a colored flame
From peak to peak, from pole to sullen pole,
And turn the skies to perfume. There I find
A lonely castle, calm, and unbeset
Save by the purple spears of amaranth,
And leafing iris tender-sworded. Walls
Of flushèd marble, wonderful with rose,
And domes like golden bubbles, and minarets
That take the clouds as coronal-these are mine,
For voiceless looms the peaceful barbican,
And the heavy-teethed portcullis hangs aloft
To grin a welcome. So I leave awhile
My hippogriff to crop the magic meads,
And pass into a court the lilies hold,
And tread them to a fragrance that pursues
To win the portico, whose columns, carved
Of lazuli and amber, mock the palms
Of bright Aidennic forests-capitalled
With fronds of stone fretted to airy lace,
Enfolding drupes that seem as tawny clusters
Of breasts of unknown houris; and convolved
With vines of shut and shadowy-leavèd flowers
Like the dropt lids of women that endure
Some loin-dissolving ecstasy. Through doors
Enlaid with lilies twined luxuriously,
I enter, dazed and blinded with the sun,
And hear, in gloom that changing colors cloud,
A chuckle sharp as crepitating ice
Upheaved and cloven by shoulders of the damned
Who strive in Antenora. When my eyes
Undazzle, and the cloud of color fades,
I find me in a monster-guarded room,
Where marble apes with wings of griffins crowd
On walls an evil sculptor wrought, and beasts
Wherein the sloth and vampire-bat unite,
Pendulous by their toes of tarnished bronze,
Usurp the shadowy interval of lamps
That hang from ebon arches. Like a ripple
Borne by the wind from pool to sluggish pool
In fields where wide Cocytus flows his bound,
A crackling smile around that circle runs,
And all the stone-wrought gibbons stare at me
With eyes that turn to glowing coals. A fear
That found no name in Babel, flings me on,
Breathless and faint with horror, to a hall
Within whose weary, self-reverting round,
The languid curtains, heavier than palls,
Unnumerably depict a weary king
Who fain would cool his jewel-crusted hands
In lakes of emerald evening, or the field
Of dreamless poppies pure with rain. I flee
Onward, and all the shadowy curtains shake
With tremors of a silken-sighing mirth,
And whispers of the innumerable king,
Breathing a tale of ancient pestilence
Whose very words are vile contagion. Then
I reach a room where caryatids,
Carved in the form of voluptuous Titan women,
Surround a throne flowering ebony
Where creeps a vine of crystal. On the throne
There lolls a wan, enormous Worm, whose bulk,
Tumid with all the rottenness of kings,
Overflows its arms with fold on creasèd fold
Obscenely bloating. Open-mouthed he leans,
And from his fulvous throat a score of tongues,
Depending like to wreaths of torpid vipers,
Drivel with phosphorescent slime, that runs
Down all his length of soft and monstrous folds,
And creeping among the flowers of ebony,
Lends them the life of tiny serpents. Now,
Ere the Horror ope those red and lashless slits
Of eyes that draw the gnat and midge, I turn
And follow down a dusty hall, whose gloom,
Lined by the statues with their mighty limbs,
Ends in golden-roofèd balcony
Sphering the flowered horizon.

Ere my heart
Hath hushed the panic tumult of its pulses,
I listen, from beyond the horizon’s rim,
A mutter faint as when the far simoom,
Mounting from unknown deserts, opens forth,
Wide as the waste, those wings of torrid night
That shake the doom of cities from their folds,
And musters in its van a thousand winds
That, with disrooted palms for besoms, rise,
And sweep the sands to fury. As the storm,
Approaching, mounts and loudens to the ears
Of them that toil in fields of sesame,
So grows the mutter, and a shadow creeps
Above the gold horizon like a dawn
Of darkness climbing zenith-ward. They come,
The Sabaoth of retribution, drawn
From all dread spheres that knew my trespassing,
And led by vengeful fiends and dire alastors
That owned my sway aforetime! Cockatrice,
Chimera, martichoras, behemoth,
Geryon, and sphinx, and hydra, on my ken
Arise as might some Afrit-builded city
Consummate in the lifting of a lash
With thunderous domes and sounding obelisks
And towers of night and fire alternate! Wings
Of white-hot stone along the hissing wind
Bear up the huge and furnace-hearted beasts
Of hells beyond Rutilicus; and things
Whose lightless length would mete the gyre of moons—
Born from the caverns of a dying sun
Uncoil to the very zenith, half-disclosed
From gulfs below the horizon; octopi
Like blazing moons with countless arms of fire,
Climb from the seas of ever-surging flame
That roll and roar through planets unconsumed,
Beating on coasts of unknown metals; beasts
That range the mighty worlds of Alioth rise,
Afforesting the heavens with mulitudinous horns
Amid whose maze the winds are lost; and borne
On cliff-like brows of plunging scolopendras,
The shell-wrought towers of ocean-witches loom;
And griffin-mounted gods, and demons throned
On-sable dragons, and the cockodrills
That bear the spleenful pygmies on their backs;
And blue-faced wizards from the worlds of Saiph,
On whom Titanic scorpions fawn; and armies
That move with fronts reverted from the foe,
And strike athwart their shoulders at the shapes
The shields reflect in crystal; and eidola
Fashioned within unfathomable caves
By hands of eyeless peoples; and the blind
Worm-shapen monsters of a sunless world,
With krakens from the ultimate abyss,
And Demogorgons of the outer dark,
Arising, shout with dire multisonous clamors,
And threatening me with dooms ineffable
In words whereat the heavens leap to flame,
Advance upon the enchanted palace. Falling
For league on league before, their shadows light
And eat like fire the arnaranthine meads,
Leaving an ashen desert. In the palace
I hear the apes of marble shriek and howl,
And all the women-shapen columns moan,
Babbling with terror. In my tenfold fear,
A monstrous dread unnamed in any hall,
I rise, and flee with the fleeing wind for wings,
And in a trice the wizard palace reefs,
And spring to a single tower of flame,
Goes out, and leaves nor shard nor ember! Flown
Beyond the world upon that fleeing wind
I reach the gulf’s irrespirable verge,
Where fads the strongest storm for breath, and fall,
Supportless, through the nadir-plungèd gloom,
Beyond the scope and vision of the sun,
To other skies and systems.

In a world
Deep-wooded with the multi-colored fungi
That soar to semblance of fantastic palms,
I fall as falls the meteor-stone, and break
A score of trunks to atom powder. Unharmed
I rise, and through the illimitable woods,
Among the trees of flimsy opal, roam,
And see their tops that clamber hour by hour
To touch the suns of iris. Things unseen,
Whose charnel breath informs the tideless air
With spreading pools of fetor, follow me,
Elusive past the ever-changing palms;
And pittering moths with wide and ashen wings
Flit on before, and insects ember-hued,
Descending, hurtle through the gorgeous gloom
And quench themselves in crumbling thickets. Heard
Far off, the gong-like roar of beasts unknown
Resounds at measured intervals of time,
Shaking the riper trees to dust, that falls
In clouds of acrid perfume, stifling me
Beneath an irised pall.

Now the palmettoes
Grow far apart, and lessen momently
To shrubs a dwarf might topple. Over them
I see an empty desert, all ablaze
With ametrysts and rubies, and the dust
Of garnets or carnelians. On I roam,
Treading the gorgeous grit, that dazzles me
With leaping waves of endless rutilance,
Whereby the air is turned to a crimson gloom
Through which I wander blind as any Kobold;
Till underfoot the grinding sands give place
To stone or metal, with a massive ring
More welcome to mine ears than golden bells
Or tinkle of silver fountains. When the gloom
Of crimson lifts, I stand upon the edge
Of a broad black plain of adamant that reaches,
Level as windless water, to the verge
Of all the world; and through the sable plain
A hundred streams of shattered marble run,
And streams of broken steel, and streams of bronze,
Like to the ruin of all the wars of time,
To plunge with clangor of timeless cataracts
Adown the gulfs eternal.

So I follow
Between a river of steel and a river of bronze,
With ripples loud and tuneless as the clash
Of a million lutes; and come to the precipice
From which they fall, and make the mighty sound
Of a million swords that meet a million shields,
Or din of spears and armour in the wars
Of half the worlds and eons. Far beneath
They fall, through gulfs and cycles of the void,
And vanish like a stream of broken stars
into the nether darkness; nor the gods
Of any sun, nor demons of the gulf,
Will dare to know what everlasting sea
Is fed thereby, and mounts forevermore
In one unebbing tide.

What nimbus-cloud
Or night of sudden and supreme eclipse,
Is on the suns opal? At my side
The rivers run with a wan and ghostly gleam
Through darkness falling as the night that falls
From spheres extinguished. Turning, I behold
Betwixt the sable desert and the suns,
The poisèd wings of all the dragon-rout,
Far-flown in black occlusion thousand-fold
Through stars, and deeps, and devastated worlds,
Upon my trail of terror! Griffins, rocs,
And sluggish, dark chimeras, heavy-winged
After the ravin of dispeopled lands,
And harpies, and the vulture-birds of hell,
Hot from abominable feasts, and fain
To cool their beaks and talons in my blood—
All, all have gathered, and the wingless rear,
With rank on rank of foul, colossal Worms,
Makes horrent now the horizon. From the wan
I hear the shriek of wyvers, loud and shrill
As tempests in a broken fane, and roar
Of sphinxes, like relentless toll of bells
From towers infernal. Cloud on hellish cloud
They arch the zenith, and a dreadful wind
Falls from them like the wind before the storm,
And in the wind my riven garment streams
And flutters in the face of all the void,
Even as flows a flaffing spirit, lost
On the pit s undying tempest. Louder grows
The thunder of the streams of stone and bronze—
Redoubled with the roar of torrent wings
Inseparable mingled. Scarce I keep
My footing in the gulfward winds of fear,
And mighty thunders beating to the void
In sea-like waves incessant; and would flee
With them, and prove the nadir-founded night
Where fall the streams of ruin. But when I reach
The verge, and seek through sun-defeating gloom
To measure with my gaze the dread descent,
I see a tiny star within the depths-
A light that stays me while the wings of doom
Convene their thickening thousands: for the star
increases, taking to its hueless orb,
With all the speed of horror-changèd dreams,
The light as of a million million moons;
And floating up through gulfs and glooms eclipsed
It grows and grows, a huge white eyeless Face
That fills the void and fills the universe,
And bloats against the limits of the world
With lips of flame that open . . .

—
Ebony and Crystal, Auburn Journal (1922)

This famous poem is in the public domain as it was originally published in 1922.

Most of Clark Ashton Smith’s stories are not public domain but they are available on eldritchdark.com posted with the permission of his estate.

Permission has been granted for the non-profit use of Clark Ashton Smith material on The Eldritch Dark website by - CASiana (the Estate of Clark Ashton Smith) and Arkham House.

A great new novel by H. Beam Piper

This etext was produced from Analog Science Fact—Science Fiction November 1962, December 1962, January 1963, and February 1963. Extensive research did not uncover any evidence that the copyright on this publication was renewed.

Read the whole novel at Project Gutenberg.

Space Viking

Vengeance is a strange human motivation—
it can drive a man to do things
which he neither would nor could achieve without it …
and because of that it lies behind some of the
greatest sagas of human literature!

by H. Beam Piper

Illustrated by Schoenherr

They stood together at the parapet, their arms about each other’s waists, her head against his cheek. Behind, the broad leaved shrubbery gossiped softly with the wind, and from the lower main terrace came music and laughing voices. The city of Wardshaven spread in front of them, white buildings rising from the wide spaces of green treetops, under a shimmer of sun-reflecting aircars above. Far away, the mountains were violet in the afternoon haze, and the huge red sun hung in a sky as yellow as a ripe peach.

His eye caught a twinkle ten miles to the southwest, and for an instant he was puzzled. Then he frowned. The sunlight on the two thousand-foot globe of Duke Angus’ new ship, the Enterprise, back at the Gorram shipyards after her final trial cruise. He didn’t want to think about that, now.

Instead, he pressed the girl closer and whispered her name, “Elaine,” and then, caressing every syllable, “Lady Elaine Trask of Traskon.”

“Oh, no, Lucas!” Her protest was half joking and half apprehensive. “It’s bad luck to be called by your married name before the wedding.”

“I’ve been calling you that in my mind since the night of the Duke’s ball, when you were just home from school on Excalibur.”

She looked up from the corner of her eye.

“That was when I started calling me that, too,” she confessed.

“There’s a terrace to the west at Traskon New House,” he told her. “Tomorrow, we’ll have our dinner there, and watch the sunset together.”

“I know. I thought that was to be our sunset-watching place.”

“You have been peeking,” he accused. “Traskon New House was to be your surprise.”

“I always was a present-peeker, New Year’s and my birthdays. But I only saw it from the air. I’ll be very surprised at everything inside,” she promised. “And very delighted.”

And when she’d seen everything and Traskon New House wasn’t a surprise any more, they’d take a long space trip. He hadn’t mentioned that to her, yet. To some of the other Sword-Worlds—Excalibur, of course, and Morglay and Flamberge and Durendal. No, not Durendal; the war had started there again. But they’d have so much fun. And she would see clear blue skies again, and stars at night. The cloud-veil hid the stars from Gram, and Elaine had missed them, since coming home from Excalibur.

The shadow of an aircar fell briefly upon them and they looked up and turned their heads, in time to see it sink with graceful dignity toward the landing-stage of Karval House, and he glimpsed its blazonry—sword and atom-symbol, the badge of the ducal house of Ward. He wondered if it were Duke Angus himself, or just some of his people come ahead of him. They should get back to their guests, he supposed. Then he took her in his arms and kissed her, and she responded ardently. It must have been all of five minutes since they’d done that before.

—

Read the whole novel at Project Gutenberg.

I found the spider art for “Little Miss Tuffet” with a google search and then I clicked from there to a gallery where I found the wizard from the same book and these two color fantasy art prints from “Rabbi Ben Ezra and other poems” (1915).

Link to Gallery. All Public Domain

Artwork by Dieterich01 available on Pixabay. Public domain.

I Dreamed That I Woke Up
by Larry Heyl CC-BY

I dreamed that I woke up and walked into the living room and sat down at my computer. Then, when I woke up I was afraid to walk into the living room because I thought I might find myself sitting there. “This is silly.”, I said to myself, and I went ahead and walked right in and sat at my computer. But then I thought maybe I already left while I was still sleeping. So I got up and locked the door to keep myself from coming in.

When I heard a knock on the door I was worried that I had returned home. But I unlocked it anyway and it was only my friend Fred. I told him what was going on in my head and we both had a big laugh.

Then I heard a knock at the door. I was worried it might be me but it wasn’t. When I went to open the door it was Fred.

I guess he dreamed that he woke up too.

Planet Stories Cover Art, July 1952 - Public Domain
commons.wikimedia.org/wiki/File:Planet_Stories_July_1952_front_cover.jpg

Beyond Lies The Wub

By Philip K. Dick

The slovenly wub might well have said: Many men
talk like philosophers and live like fools.

They had almost finished with the loading. Outside stood the Optus, his arms folded, his face sunk in gloom. Captain Franco walked leisurely down the gangplank, grinning.

“What’s the matter?” he said. “You’re getting paid for all this.”

The Optus said nothing. He turned away, collecting his robes. The Captain put his boot on the hem of the robe.

“Just a minute. Don’t go off. I’m not finished.”

“Oh?” The Optus turned with dignity. “I am going back to the village.” He looked toward the animals and birds being driven up the gangplank into the spaceship. “I must organize new hunts.”

Franco lit a cigarette. “Why not? You people can go out into the veldt and track it all down again. But when we run out halfway between Mars and Earth—”

The Optus went off, wordless. Franco joined the first mate at the bottom of the gangplank.

“How’s it coming?” he said. He looked at his watch. “We got a good bargain here.”

The mate glanced at him sourly. “How do you explain that?”

“What’s the matter with you? We need it more than they do.”

“I’ll see you later, Captain.” The mate threaded his way up the plank, between the long-legged Martian go-birds, into the ship. Franco watched him disappear. He was just starting up after him, up the plank toward the port, when he saw it.

“My God!” He stood staring, his hands on his hips. Peterson was walking along the path, his face red, leading it by a string.

“I’m sorry, Captain,” he said, tugging at the string. Franco walked toward him.

“What is it?”

The wub stood sagging, its great body settling slowly. It was sitting down, its eyes half shut. A few flies buzzed about its flank, and it switched its tail.

It sat. There was silence.

“It’s a wub,” Peterson said. “I got it from a native for fifty cents. He said it was a very unusual animal. Very respected.”

“This?” Franco poked the great sloping side of the wub. “It’s a pig! A huge dirty pig!”

“Yes sir, it’s a pig. The natives call it a wub.”

“A huge pig. It must weigh four hundred pounds.” Franco grabbed a tuft of the rough hair. The wub gasped. Its eyes opened, small and moist. Then its great mouth twitched.

A tear rolled down the wub’s cheek and splashed on the floor.

“Maybe it’s good to eat,” Peterson said nervously.

“We’ll soon find out,” Franco said.

[Read more…]

Frontispiece from the book. Public Domain.
https://en.wikipedia … ood_Beyond_the_World

CHAPTER I: OF GOLDEN WALTER AND HIS FATHER

Awhile ago there was a young man dwelling in a great and goodly city by
the sea which had to name Langton on Holm. He was but of five and
twenty winters, a fair-faced man, yellow-haired, tall and strong; rather
wiser than foolisher than young men are mostly wont; a valiant youth, and
a kind; not of many words but courteous of speech; no roisterer, nought
masterful, but peaceable and knowing how to forbear: in a fray a perilous
foe, and a trusty war-fellow. His father, with whom he was dwelling
when this tale begins, was a great merchant, richer than a baron of the
land, a head-man of the greatest of the Lineages of Langton, and a
captain of the Porte; he was of the Lineage of the Goldings, therefore
was he called Bartholomew Golden, and his son Golden Walter.

Now ye may well deem that such a youngling as this was looked upon by all
as a lucky man without a lack; but there was this flaw in his lot,
whereas he had fallen into the toils of love of a woman exceeding fair,
and had taken her to wife, she nought unwilling as it seemed. But when
they had been wedded some six months he found by manifest tokens, that
his fairness was not so much to her but that she must seek to the
foulness of one worser than he in all ways; wherefore his rest departed
from him, whereas he hated her for her untruth and her hatred of him; yet
would the sound of her voice, as she came and went in the house, make his
heart beat; and the sight of her stirred desire within him, so that he
longed for her to be sweet and kind with him, and deemed that, might it
be so, he should forget all the evil gone by. But it was not so; for
ever when she saw him, her face changed, and her hatred of him became
manifest, and howsoever she were sweet with others, with him she was hard
and sour.

So this went on a while till the chambers of his father’s house, yea the
very streets of the city, became loathsome to him; and yet he called to
mind that the world was wide and he but a young man. So on a day as he
sat with his father alone, he spake to him and said: “Father, I was on
the quays even now, and I looked on the ships that were nigh boun, and
thy sign I saw on a tall ship that seemed to me nighest boun. Will it
be long ere she sail?”

“Nay,” said his father, “that ship, which hight the Katherine, will they
warp out of the haven in two days’ time. But why askest thou of her?”

“The shortest word is best, father,” said Walter, “and this it is, that I
would depart in the said ship and see other lands.”

“Yea and whither, son?” said the merchant.

“Whither she goeth,” said Walter, “for I am ill at ease at home, as thou
wottest, father.”

The merchant held his peace awhile, and looked hard on his son, for there
was strong love between them; but at last he said: “Well, son, maybe it
were best for thee; but maybe also we shall not meet again.”

“Yet if we do meet, father, then shalt thou see a new man in me.”

…

Read the book here or download in your preferred format.

http://www.gutenberg.org/ebooks/3055

From wikipedia. https://en.wikipedia … ood_Beyond_the_World

Morris considered his fantasies a revival of the medieval tradition of chivalrous romances. In consequence, they tend to have sprawling plots comprising strung-together adventures. His use of archaic language is a challenge to some readers.

When the novel was reissued in the Ballantine Adult Fantasy Series, James Blish noted that Morris’s style was a successful recapturing of the style of Sir Thomas Malory, “all the way down to the marginal glosses and the nonstop compound sentences hitched together with scores of semicolons. He also recaptured much of the poetry; and if the reader will make the small effort necessary to accommodate himself to the rhythm of the style, he will find both it and the story rewarding.”

Image from the book. Public domain.
http://www.metmuseum … ection/search/354288

BOOK ONE

The Road Unto Love

CHAPTER 1

The Sundering of the Ways

Long ago there was a little land, over which ruled a regulus or
kinglet, who was called King Peter, though his kingdom was but little.
He had four sons whose names were Blaise, Hugh, Gregory and Ralph: of
these Ralph was the youngest, whereas he was but of twenty winters and
one; and Blaise was the oldest and had seen thirty winters.

Now it came to this at last, that to these young men the kingdom of
their father seemed strait; and they longed to see the ways of other
men, and to strive for life. For though they were king’s sons, they
had but little world’s wealth; save and except good meat and drink, and
enough or too much thereof; house-room of the best; friends to be merry
with, and maidens to kiss, and these also as good as might be; freedom
withal to come and go as they would; the heavens above them, the earth
to bear them up, and the meadows and acres, the woods and fair streams,
and the little hills of Upmeads, for that was the name of their country
and the kingdom of King Peter.

So having nought but this little they longed for much; and that the
more because, king’s sons as they were, they had but scant dominion
save over their horses and dogs: for the men of that country were
stubborn and sturdy vavassors, and might not away with masterful
doings, but were like to pay back a blow with a blow, and a foul word
with a buffet. So that, all things considered, it was little wonder if
King Peter’s sons found themselves straitened in their little land:
wherein was no great merchant city; no mighty castle, or noble abbey of
monks: nought but fair little halls of yeomen, with here and there a
franklin’s court or a shield-knight’s manor-house; with many a goodly
church, and whiles a house of good canons, who knew not the road to
Rome, nor how to find the door of the Chancellor’s house.

…

Read the whole book at Project Gutenberg or download in your preferred format.

http://www.gutenberg.org/ebooks/169

H.G. Wells compared this to Mallory. C.S. Lewis and J.R.R. Tolkein took inspiration from this tale.

Read this review, The Well at the World’s End - A Review of Morris’ Classic Masterpiece.

William Morris (according to Lin Carter) is the founder of modern fantasy literature and The Well at the World’s End is his masterpiece. And after reading this book and the little that I have about the author I find it odd that his works are not more widely read or discussed in the fantasy literature community. I searched the internet and various bulletin boards and found a few isolated discussions or worthy mentions, but nothing like what this novel or its author deserve. So here I am, giving credit where it’s due.

I read it. It’s heart wrenching.

Astounding Cover Art

Pirates Of Ersatz
by Murray Leinster

Sometimes it seems nobody loves a benefactor … particularly nobody on a well-heeled, self-satisfied planet. Grandpa always said Pirates were really benefactors, though….

Illustrated by Freas
I

It was not mere impulsive action when Bron Hoddan started for the planet Walden by stowing away on a ship that had come to his native planet to hang all his relatives. He’d planned it long before. It was a long-cherished and carefully worked out scheme. He didn’t expect the hanging of his relatives, of course. He knew that they’d act grieved and innocent, and give proof that they were simple people leading blameless lives. They’d make their would-be executioners feel ashamed and apologetic for having thought evil of them, and as soon as the strangers left they’d return to their normal way of life, which was piracy. But while this was going on, Bron Hoddan stowed away on the menacing vessel. Presently he arrived at its home world. But his ambition was to reach Walden, so he set about getting there. It took a long time because he had to earn ship-passage from one solar system to another, but he held to his idea. Walden was the most civilized planet in that part of the galaxy. On Walden, Hoddan intended, in order (a) to achieve splendid things as an electronic engineer, (b) to grow satisfactorily rich, (c) to marry a delightful girl, and (d) end his life a great man. But he had to spend two years trying to arrange even the first.

On the night before the police broke in the door of his room, though, accomplishment seemed imminent. He went to bed and slept soundly. He was calmly sure that his ambitions were about to be realized. At practically any instant his brilliance would be discovered and he’d be well-to-do, his friend Derec would admire him, and even Nedda would probably decide to marry him right away. She was the delightful girl. Such prospects made for good sleeping.

And Walden was a fine world to be sleeping on. Outside the capital city its spaceport received shipments of luxuries and raw materials from halfway across the galaxy. Its landing grid reared skyward and tapped the planet’s ionosphere for power with which to hoist ships to clear space and pluck down others from emptiness. There was commerce and manufacture and wealth and culture, and Walden modestly admitted that its standard of living was the highest in the Nurmi Cluster. Its citizens had no reason to worry about anything but a supply of tranquilizers to enable them to stand the boredom of their lives.

Even Hoddan was satisfied, as of the moment. On his native planet there wasn’t even a landing grid. The few, battered, cobbled ships the inhabitants owned had to take off precariously on rockets. They came back blackened and sometimes more battered still, and sometimes they were accompanied by great hulls whose crews and passengers were mysteriously missing. These extra ships had to be landed on their emergency rockets, and, of course, couldn’t take off again, but they always vanished quickly just the same. And the people of Zan, on which Hoddan had been born, always affected innocent indignation when embattled other spacecraft came and furiously demanded that they be produced.

There were some people who said that all the inhabitants of Zan were space pirates and ought to be hung and compared with such a planet, Walden seemed a very fine place indeed. So on a certain night Bron Hoddan went confidently to bed and slept soundly until three hours after sunrise. Then the police broke in his door.

Read entire story at Project Gutenberg.

A little taste from near the beginning of Chapter III

Normality extended through all the galaxy so far inhabited by men. There were worlds on which there was peace, and worlds on which there was tumult. There were busy, zestful young worlds, and languid, weary old ones. From the Near Rim to the farthest of occupied systems, planets circled their suns, and men lived on them, and every man took himself seriously and did not quite believe that the universe had existed before he was born or would long survive his loss.

Time passed. Comets let out vast streamers like bridal veils and swept toward and around their suns. Some of them—one in ten thousand, or twenty—were possibly seen by human eyes. The liner bearing Hoddan sped through the void.

In time it made a landfall on the Planet Krim. He went aground and observed the spaceport city. It was new and bustling with tall buildings and traffic jams and a feverish conviction that the purpose of living was to earn more money this year than last.

Transcriber’s Notes:

This etext was produced from Astounding Science Fiction February, March and April 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

Spelling and typography have been normalized.

This is the original image with the story - public domain

A human brain-controlled spacecraft would mean mechanical
perfection. This was accomplished, and something unforeseen: a
strange entity called–

Mr. Spaceship by Philip K. Dick

Kramer leaned back. “You can see the situation. How can we deal with a
factor like this? The perfect variable.”

“Perfect? Prediction should still be possible. A living thing still
acts from necessity, the same as inanimate material. But the
cause-effect chain is more subtle; there are more factors to be
considered. The difference is quantitative, I think. The reaction of
the living organism parallels natural causation, but with greater
complexity.”

Gross and Kramer looked up at the board plates, suspended on the wall,
still dripping, the images hardening into place. Kramer traced a line
with his pencil.

“See that? It’s a pseudopodium. They’re alive, and so far, a weapon we
can’t beat. No mechanical system can compete with that, simple or
intricate. We’ll have to scrap the Johnson Control and find something
else.”

“Meanwhile the war continues as it is. Stalemate. Checkmate. They
can’t get to us, and we can’t get through their living minefield.”

Kramer nodded. “It’s a perfect defense, for them. But there still
might be one answer.”

“What’s that?”

“Wait a minute.” Kramer turned to his rocket expert, sitting with the
charts and files. “The heavy cruiser that returned this week. It
didn’t actually touch, did it? It came close but there was no
contact.”

“Correct.” The expert nodded. “The mine was twenty miles off. The
cruiser was in space-drive, moving directly toward Proxima,
line-straight, using the Johnson Control, of course. It had deflected
a quarter of an hour earlier for reasons unknown. Later it resumed its
course. That was when they got it.”

“It shifted,” Kramer said. “But not enough. The mine was coming along
after it, trailing it. It’s the same old story, but I wonder about the
contact.”

“Here’s our theory,” the expert said. “We keep looking for contact, a
trigger in the pseudopodium. But more likely we’re witnessing a
psychological phenomena, a decision without any physical correlative.
We’re watching for something that isn’t there. The mine decides to
blow up. It sees our ship, approaches, and then decides.”

“Thanks.” Kramer turned to Gross. “Well, that confirms what I’m
saying. How can a ship guided by automatic relays escape a mine that
decides to explode? The whole theory of mine penetration is that you
must avoid tripping the trigger. But here the trigger is a state of
mind in a complicated, developed life-form.”

“The belt is fifty thousand miles deep,” Gross added. “It solves
another problem for them, repair and maintenance. The damn things
reproduce, fill up the spaces by spawning into them. I wonder what
they feed on?”

“Probably the remains of our first-line. The big cruisers must be a
delicacy. It’s a game of wits, between a living creature and a ship
piloted by automatic relays. The ship always loses.” Kramer opened a
folder. “I’ll tell you what I suggest.”

“Go on,” Gross said. “I’ve already heard ten solutions today. What’s
yours?”

“Mine is very simple. These creatures are superior to any mechanical
system, but only because they’re alive. Almost any other life-form
could compete with them, any higher life-form. If the yuks can put out
living mines to protect their planets, we ought to be able to harness
some of our own life-forms in a similar way. Let’s make use of the
same weapon ourselves.”

“Which life-form do you propose to use?”

“I think the human brain is the most agile of known living forms. Do
you know of any better?”

“But no human being can withstand outspace travel. A human pilot would
be dead of heart failure long before the ship got anywhere near
Proxima.”

“But we don’t need the whole body,” Kramer said. “We need only the
brain.”

“What?”

“The problem is to find a person of high intelligence who would
contribute, in the same manner that eyes and arms are volunteered.”

“But a brain….”

“Technically, it could be done. Brains have been transferred several
times, when body destruction made it necessary. Of course, to a
spaceship, to a heavy outspace cruiser, instead of an artificial body,
that’s new.”

The room was silent.

“It’s quite an idea,” Gross said slowly. His heavy square face
twisted. “But even supposing it might work, the big question is
whose brain?”

[Read more…]

The Knights of Arthur, by Frederik Pohl

* * *
The Project Gutenberg EBook of The Knights of Arthur, by Frederik Pohl This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

Title: The Knights of Arthur
Author: Frederik Pohl
Illustrator: Martin
Produced by Greg Weeks, Barbara Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net
* * *
This etext was produced from Galaxy Science Fiction January 1958. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.
* * *

The Knights of Arthur
By FREDERIK POHL
Illustrated by MARTIN

With one suitcase as his domain, Arthur was desperately in need of armed henchmen … for his keys to a kingdom were typewriter keys!

I

There was three of us–I mean if you count Arthur. We split up to avoid attracting attention. Engdahl just came in over the big bridge, but I had Arthur with me so I had to come the long way around.

When I registered at the desk, I said I was from Chicago. You know how it is. If you say you’re from Philadelphia, it’s like saying you’re from St. Louis or Detroit–I mean nobody lives in Philadelphia any more. Shows how things change. A couple years ago, Philadelphia was all the fashion. But not now, and I wanted to make a good impression.

I even tipped the bellboy a hundred and fifty dollars. I said: “Do me a favor. I’ve got my baggage booby-trapped–”

“Natch,” he said, only mildly impressed by the bill and a half, even less impressed by me.

“I mean really booby-trapped. Not just a burglar alarm. Besides the alarm, there’s a little surprise on a short fuse. So what I want you to do, if you hear the alarm go off, is come running. Right?”

“And get my head blown off?” He slammed my bags onto the floor. “Mister, you can take your damn money and–”

“Wait a minute, friend.” I passed over another hundred. “Please? It’s only a shaped charge. It won’t hurt anything except anybody who messes around, see? But I don’t want it to go off. So you come running when you hear the alarm and scare him away and–”

“No!” But he was less positive. I gave him two hundred more and he said grudgingly: “All right. If I hear it. Say, what’s in there that’s worth all that trouble?”

“Papers,” I lied.

He leered. “Sure.”

“No fooling, it’s just personal stuff. Not worth a penny to anybody but me, understand? So don’t get any ideas–”

He said in an injured tone: “Mister, naturally the staff won’t bother your stuff. What kind of a hotel do you think this is?”

“Of course, of course,” I said. But I knew he was lying, because I knew what kind of hotel it was. The staff was there only because being there gave them a chance to knock down more money than they could make any other way. What other kind of hotel was there?

Anyway, the way to keep the staff on my side was by bribery, and when he left I figured I had him at least temporarily bought. He promised to keep an eye on the room and he would be on duty for four more hours–which gave me plenty of time for my errands.

[Read more…]